Vampyr review

Recommended

by Arturas

I'm going to only recommend this game on Story mode difficulty, a mode that I didn't even know was in the game until after beating it recently. I  guess I just started it so long ago I didn't even think about it. I think the story and lore in this game and the characters therein are very good. Where this game really takes a dive is the combat. The devs sadly did what all the other kids were doing and decided to copy the combat of the Souls games. While it is not awful like some other games that have adopted it, it's not good either. When this choice is paired with the brutal spike in difficulty if you decide not to embrace civilians, it makes the game a slog and extremely unenjoyable. There are a few boss fights that are almost impossible to do unless you've maxed all your gear and get a good strategy going. I understand the devs wanted to send the message that it's not easy doing what is right but god damn it made me dislike this game a lot. If this had different combat or just less or hell, none at all, this game would be much better. Other than that I think there's a lot to love about the game. I personally really like the voice actor for Dr. Reid, Anthony Howell. The other supporting characters do a good job as well. I think the story near the end stumbles a bit but the initial mystery of your rebirth was very intriguing. So again, just play it on the story mode unless you plan on killing everyone. They also made it so you can't get the no kill trophy when playing on story difficulty which is a choice to say the least.

Before my Pro/Kontra list: After the 41 Hours I put into my first run, I have to say that every single Minute I enjoyed a lot, without Exception, except for maybe a certain Boss fight, which of course I don't want to spoil At this Point. The fact that this Fight has so me, however, was rather due to the fact that my Learning Curve was more of a Straight line and that the Struggle itself is not easy. Pro:-very well written and beautifully told Story-all non-hostile NPCs are Individuals with their own often sad or evil, but almost always interesting Stories that you have to tap into through numerous Interactions-> also through small Side Missions- Very fluid and refreshing Combat System that is a Bit of Dark Souls (I played the Game with a Controller)-well thought-out upgrade system for Weapons-interesting and entertaining Abilities-pleasant opponent variety-dynamic Health Care system in the four Districts of the Game world: Citizens heal to keep the State of the District in the green Area-> Diseases and Deaths lead to the Deterioration of The condition and, if necessary, even to the "Loss" of the District-Freedom of choice as to whether to consider its Nature as a Vampire or gives up Blood (Renunciation makes the Game more DIFFICULT, since by Sucking out citizens you get a lot Of EP)-> high Replay value to try other methods-certain Decisions in The course of the Story can be great Impact on the World to Have-> also speaks for the Replay value-Open World with well-set shortcuts instead of a Fast Travel System-interesting Stories around the World, their Factions and their Stories-very beautiful Atmospheric and contemporary Soundtrack-generally good sound-very chic and own Optics that do not rely on Realism in order to achieve the Contra:-very much Dialogue, can become tiresome if you do everything at once and don't do other Things in between- "Hints" to the Characters "stories are often very easy to miss, which can become quite frustrating, for example, because even as less Hints to Know the Number of EP Decrees when sucked out-although there are several Endings, but unfortunately these do not differ great-l Set Act tells a lot through nothing more than Running around and Reading (the Narrative is still interesting and at The end there is also a lot of Dialogue again)-the Animations of the Characters are sometimes a bit awkward in Dialogues, but this is actually imme r amusing rather than Disruptive I give a definitive Purchase recommendation for Vampyr for anyone looking for a strongly story-heavy, gloomy RPG with an equally very good combat System. Convince yourself of the Controls that are far from Bad even with Keyboard instead of Controller, and don't be swayed by all the negative Reviews. It's not easy, but just like Dark Souls, you get rewarded for Ambition! For all that this Game offers is also its Price of €5050 more than okay considering what other Games offer for more Money and call it justified. So: Please support the Developer DONTNOD and enjoy a really lovingly created and great Game!

The game Vampyr, is a mysterious tale of secret societies, disease ridden streets, class struggle and supernatural forces pulling strings from the shadows. It builds a wonderful atmosphere through music, lighting, good writing and line delivery. Everything comes together in a messy but well-meaned way.

Vampyr tries to do a few ambitious things. It’s trying to be an action RPG where you can make crucial decision to affect the world around you. Games have been trying to do this “make a decision and suffer consequences” thing for a very long time now and I am yet to see one pull it off perfectly.

The problem with Vampyr’s way of doing it is rooted in a basic binary system disguised as a multi-leveled health status for each district. As far as I can tell, nothing happens to the district until it becomes “Hostile”. So a district is either hostile or not hostile. But we have all these phases like sanitized, healthy, stable, critical etc.

The binary district health system goes hand in hand with the investigations you conduct of the occupants of the districts. Learning more about an occupant is only good for increasing the blood quality which gives you more XP if you choose to suck their blood. Certain people are more valuable to the district so their death will have a bigger impact. But nevertheless, it’s just a simple alive/dead system. Conveniently, anyone connected to the person you suck the blood of either doesn’t react to their death or goes inexplicably “Missing”, never to be heard from ever again.

The game doesn’t suffer because of the relative simplicity of these systems, it suffers because it creates a short lived illusion of complexity. It just ends up disappointing you.

The game is basically two things: Talking and fighting.

Talking to people is a very big thing you do in the game. Most of your time is spent talking to people yet the people you talk to are so bland. Dialogue wheel system makes you feel like a poller in the street than having actual conversation with people. The boring camera angle doesn’t help either when you have to sit and watch some poorly animated face talk about boring stuff you hardly care.

The moral question of the game is do you suck the people of the district for their XP or suffer being weak for the safety of others.

The problem here of course is you need to care about these people. You need to care about the district. Also you need to be wanting to get stronger as a vampire. I wanted to get stronger and I had a hard time believing most of the character’s well beings were an actual concern I needed to care about. I think this is due to mostly how samey everything feels. Every time you go somewhere, the person you are looking for is doing the exact same pattern of walk or standing behind a bar. This even extends to the fights in-between districts. The same enemy types spawn in the same places over and over again. This situation hardly creates a world that feels alive. It just reminds you you’re playing a videogame. I can see both caring about the people and wanting to get strong necessary for the enjoyment of the game as designed by the developers fail for certain players.

The way I played it was, I killed everyone except for most of the pillars and doctors/nurses in the Pembroke Hospital. The ending of the game was actually somewhat satisfying and poetic, like the rest of the story bits but the moral dilemma the game wanted me to experience was never fully realised.

A fix for the boring characters issue would be to make the sidequests more accessible and interesting. Most of the game you sit down in front of the screen and read. You read/listen the dialogue and read notes and lore. Especially to find out more about these characters. Some of them require you to go to a place and fight some enemies, some of them require you to tediously find a single piece of evidence randomly hidden somewhere in the game world. They just put a wall you need to grind through to figure out the stories of the characters. I understand it shouldn’t be as easy as 1–2–3 but the way they handled it is not fun.

A lot of these side stories feel neglected and half realised, too. After working hard to find a little piece of paper in a bin somewhere, you want a nice, satisfying side story. But it’s usually not.

Yet there is so much dialogue. An unnecessary amount of dialogue. You can’t just read it from the subtitles either because as soon as you skip, it doesn’t skip the dialogue on screen, it skips to the next person’s line. So you miss a bunch of information.

Talking about the dialogue, when it’s not exhausting, it’s confusing. Especially the choices they give you. Sometimes you choose between 3 choices and it can result in a fail, blocking the path to uncover the boring story of a particular character you’re only grinding through to get more XP when you kill them. These segments often feel unfair because the choice you made and what your guy says couldn’t be further from each other and the 3 choices are often too similar to each other. In some cases, none of the choices make any sense.

Separating the dialogue to “Personal questions” and “Your life in London” is quite unnecessary too and it contributes to the feeling of polling a person. Rather than a natural conversation.

The main characters of the game, I found, are quite good. Jonathan Reid, the vampire doctor you play as is realised quite beautifully. The way he delivers the lines adds so much to the atmosphere the game creates so effortlessly.

A rare occurrence for me was to actually care about the love interest this game provided: Lady Ashbury. An exquisite performance, truly.

Finally, the thorned creature, from a design, writing and performance point of view was an always alluring, menacing presence. Very impressive.

From there on, it’s gets less interesting. Although a particular character, the Sad Saint of the Docks area showed potential. Although his story didn’t go anywhere in my own playthrough. Although it might be the weak writing, because sometimes I noticed the game feels a particular side story is complete but I am left with a feeling of unsatisfaction.

The game is certainly not short of characters, unfortunately it’s quantity over quality with this one.

I am not the sort of player who is too interested in gameplay mechanics because what keeps me playing is the story and the characters. Even though gameplay probably the whole point of playing a game, with Vampyr, I felt it was adequate enough to keep me going. I always had fun throughout whenever a fight happened. Even though most people say it’s not great, for a play like me it was fun and engaging. It does stop being a challenge fairly early on if you decide to suck everyone’s blood like I did.

The main story is somewhat a cliche but being a part of this world is so addictive, I found myself drawn to playing it quite a lot often than most of the other games I played.

The music feels raw, right from the heart, honest. Just like most of the game does. With it’s little flaws here and there, it becomes charming.

I would love to see an improved sequel with completely different characters. Vampyr, is an impressive little gem.